Photo Journal/Exercise 8: SURABAYA - Street/Urban Photography

by Osel Gunarso (xp08)

by Angga Andinata (xp08)

by Yogo AP (xp08)

by Antonius Teiseran (xp08)

Try to find symbols to describe your opinion about the city of Surabaya (symbols about life in the city, and not merely symbols of the city).

Try to capture UNIQUE or seldom seen images of the city, avoid cliche images. However, it could be something often seen, but you depict it in a new or unique way.

It's subjective, and it's your personal perspective of the city. And you're allowed to manipulate/edit your images as you like them to be (such as using HDR, fake tilt-shift, color adjustments, or just natural or as is).

THIS IS OUR PART IN CELEBRATING SURABAYA'S 715th BIRTHDAY THIS COMING MAY 31st.

Pick TWO of your best pictures and print them to minimum 10R size prints, and paste them to a black hardboard/infraboard with 3 cm margins all around. TYPE the TITLE, YOUR NAME, and ID# on a label and paste it on each of your boards on the front bottom right corner.

WE'LL SELECT THE BEST ONES AND HANG THEM UP FOR A SMALL EXHIBITION ALONG THE DEPARTMENT HALL. There'll be a voting session to decide who's got the best photo, and deserves bonus points.

In general, the history of urban photography can be divided into two trends:
- depiction within a topographical approach (the distant gaze and the panoramic view)
- depiction of urban life at street level

To get you started on ideas about our city, here are some compiled terms that are often used to describe the modern city and urban life...

brave, complex, the slums, engines of change, disconnected, paradox, juxtaposition of paradox, fragments, isolation, a melting pot, spectacular, utopia, turbo-capitalism, populated, polution, opportunities, globalization, urbanization, the poor, poverty, dynamic, modern structures, skyscrapers, floods, traffic jams, colorful life, mega-malls, mall-ification, unsafe, threatening, new dimensions, continuous development, walls, migration, urban spaces, terror, fear, modern alienation, spontaneity, jazz, dense, posturban sublime, hectic, infrastructures, urban landscape, parking lots, banal, everyday, offices, construction sites, houses, metropolitan condition, the old and the new, colorful contrasts, extremes, artificiality, self-reflection, simulated, tourism, modern dream, ever-changing, the future, futuristic, separation, borders,…

HOW WOULD YOU DEPICT SURABAYA???

The Decisive Moment & Playing Golf

"Beruntung" ("Lucky") by Solahuddin of Jawa Pos

A person has asked, and probably many have, about how can you capture that decisive moment. Is it just a matter of luck? Or is it a skill that you can develop?

Although not all Henri Cartier-Bresson's photos capture that decisive moment, many do. Is it because of his long time experience? Or is he just a lucky guy?

Here's a short caption from Henri Cartier-Bresson’s book “The Decisive Moment” (1952). The decisive moment suggests a sense of perfect shutter timing to freeze action at its balanced composition. He wrote:
“To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression… Inside movement, there is one moment at which the elements in motion are in balance. Photography must seize upon this moment and hold immobile the equilibrium of it.”
For Cartier-Bresson, a photograph must not only freeze an instant of time, but it must also capture that instant within a well designed composition (Kobre, Kenneth. 2004. Photojournalism: The Professionals’ Approach. 5th ed. Oxford: Focal Press, p. 19.)

I see photographers getting that perfect decisive moment image as in sports. Golfers for example. There are lots of factors in getting that small ball into a small hole hundreds of yards away. There might be a "luck" factor in it, but I think mostly there are the experience and instuition factors. The experienced golfer has the feeling and intuition in how hard to hit the ball, which angle or direction to hit it against the wind, etc., etc. I'm not a golfer, but I think capturing that perfect and memorable decisive moment image is like getting a hole-in-one. Amateurs get lucky sometimes, but the maestros get "lucky" many times. So, actually it's not about being lucky but about practicing with effort in developing your intuition or instincts to be sharpened over time, having all your senses be open to your surroundings, and knowing what you want or what your goals are. There is just no shortcut for it, in sports or in photography, but through full-hearted practice, and time.

Is It a Miniature Model or the Real Thing? Introducing the "Fake Tilt-Shift" Effect

Got this from Chuck Green's ideabook...
The next time you see a photograph of a tiny little, toy-like model of a "real" scene, look again. It may not be a model at all, it may be the real thing edited using the "fake tilt-shift" effect in Photoshop ("real" tilt-shift is accomplished using a camera lens by the same name). The effect is achieved by changing the depth of field (among other things).

by yongfook

by Joshua Davis

by automatt

by cloudsoup

by house photography

by yongfook

by buteijn

Here are some links to tutorials:

tiltshiftphotography.net
recedinghairline.co.uk/tutorials/fakemodel/
Creating Fake Miniatures
Create a Faux Tilt Shift Effect in Adobe Photoshop Tutorial

Photo Journal/Exercise 7: OCCUPATION - Perspectives/Points of View

Do a "short" documentary photography on a person with or at his/her job. Your pictures should reflect your perspective/point of view about your subject and/or his/her occupation.

This can be done individually or with a group of maximum 5 people per subject/occupation, with minimum of 50 shots/person.
Each person then makes a photo essay of 5 selected photos that can summarize the subject and the occupation and 3 written paragraphs about him/her and his/her occupation.
Give a main title for your documentary essay and titles for each of the five photos.

Only minor adjustments allowed, such as cropping, color adjustments, contrast adjustments, & sharpness.

Some tips for this assignment:
- show interest in the subject and the occupation, get to know the person and his/her part of life, troubles, likes/dislikes, etc. before the actual shooting session
- shoot portraits (portraitures)
- shoot candid portraits
- shoot sequences while the subject is doing the job (if fast, use continuous shooting)
- shoot extreme close-ups and close-ups to get his/her character, medium shots for the relationship of the subject to his/her job and surrounding, and long shots to capture the overall job environment

Dynamic Photo HDR

Another great HDR software you should try is the Dynamic Photo HDR by Media Chance.
It features cool capabilities such as manual alignment and anti ghosting masking. It also has great settings/methods for tone mapping among others.
Watch this short video about the more advanced Dynamic Photo HDR features in their latest version (v.3) which includes Light Tuner, B/W Mixer, Color-Correction, Match Color, Batch Processing and more:

PROJECT 2 (DI): SUPER WORLD RECORD OF...

This idea was inspired & taken from the book Visual Literacy: A Conceptual Approach to Graphic Problem Solvingby Judith & Richard Wilde, a great book by the way on the subject. But I've improvised it here into a photographic digital imaging assignment.

The challenge is to illustrate, through PHOTOGRAPHIC DIGITAL IMAGING, a world record of any fact, statistic, deed, or achievement, in any field or subject area.
Consider the natural world, outer space, bizarre and outrageous stunts, challenging exploits, great sports accomplishments, or occurences that are ridiculous, provocative, or shocking.